CALLEDOUT

CalledOut Music - Singer, Song writer

GOSPEL VS CCM? - WE'RE ON THE SAME SIDE!

Over the past few weeks, a lot has been said about the direction of Christian music—particularly the divide between traditional Gospel and Contemporary Christian Music (CCM). The conversation picked up serious momentum after Norman Gyamfi, co-founder of Maverick City Music, shared some strong opinions on The Isaac Carree Show. His remarks, though rooted in honesty, struck a major chord especially within the Black Gospel community.

Gyamfi argued that gospel music has become “stale” and “over‑sung,” suggesting that the style no longer connects as widely as it once did. He went on to explain how Maverick City’s music, with its simpler arrangements and broader accessibility, has made waves by merging the richness of gospel vocals with the sing-ability of CCM. He even stated that Maverick City Music ‘out streams’ the entire gospel industry combined—sparking deeper questions about reach, relevance, and representation.

Unsurprisingly, many artists and listeners on both sides of the coin were hurt. And I get it. As someone who has been heavily influenced by both Gospel and CCM, I see both the beauty and the tension here. Gyamfi’s comments came across as dismissive and disrespectful to a lot of people but I would like to believe they were intended to spark progress, not insult tradition. Gospel music is not just a genre; it’s a legacy, a lifeline for many, especially in the Black community. It has carried stories of pain, perseverance, and praise through slavery, segregation, and suffering. It’s sacred. It’s powerful. It’s needed.

At the same time, CCM often less vocally complex and more congregational in nature, has opened doors to new generations and cultures. It’s accessible. It’s relatable. It’s also needed. What’s dangerous, though, is when the conversation becomes about sides. Gospel vs. CCM. Us vs. them. Tradition vs. innovation. That’s not the heart of Jesus.

Worship was never meant to be boxed into genres. Scripture paints a vibrant, diverse picture of worship: We are to “Sing to the Lord a new song” (Psalm 96:1) That’s space for creativity, innovation and change. The idea that God is always ready to give us new ideas and breathe in new ways for us to worship Him’ that’s HIS heart. Scripture also says, “Let everything that has breath praise the Lord.” (Psalm 150:6) That’s an all-inclusive call, regardless of style. God isn’t impressed by vocal runs or minimalistic choruses. He’s after our hearts. Whether we worship through the passionate power, and complex chords of gospel or the quiet intimacy and soft rock sound of a CCM ballad, the goal is the same: to lift up Jesus.

Both Gospel and CCM bring something irreplaceable to the table. Gospel music carries depth, cultural identity, and unmatched emotion. It teaches us to press through pain and find joy. CCM on the other hand offers simplicity, wide accessibility, and a bridge into spaces where Gospel music might not be heard. Arguing about which one is ‘better’ is futile and unnecessary. We’re on the same team. The body of Christ needs both lungs to breathe properly.

As an artist who’s been shaped by both cultures, I can confidently say: It’s not about genre. It’s about Jesus. The moment our identity gets wrapped up in a sound instead of the Saviour, we’ve missed it. This isn’t the time to divide; it’s the time to unite. Let’s build a Church that sings in many languages, styles, and sounds. There will be no genres in heaven, just one sound - one that cries out Holy, Holy are You Lord God Almighty.

So, on this side of eternity, let the debates die down and let the worship rise up.